(Colombia, 1986)FelipeBedoya'sworkcanbeunderstoodasadisplacementinwhichhereflectsonhisideaofhome:Anislandbuiltfromfragmentsthathousememory,shelterlonelinessandwheretheartist'soriginalwaysdwellsasanaestheticreference.Hestartsfromhisvillagetomaketheunknownvisible:Socialphenomenaandbiodiversityaretheengineofmigratoryprocessesthatdialoguewitheachothertohighlightaspecificreality.Bedoyareflectsonvitalpracticesthatconcernalllivingbeings,ensuringthathisworkcanbeextrapolatedandinterpretedglobally.Thinkofphotographyasthesuperpositionofobjectsthatmakeupanimage,theartistbreaksdowntheoriginalrecord,classifyingandselectingtheelementsthatbuildthefoundationsofhisnarrative.Inthisisolation,theimageisstrippedofitsreproducibleloadtobeintegratedintoaplasticlanguagetypicalofdrawing,whichaimstoreconfiguretheoriginalmeaningofthepiecesthatmakeuphiswork.Thisexerciseofcomprehension,isolationandtranslationofrealitydisplacesthedigitalintotherealmoftheanalog,invitingtheviewertoquestionthetechnicalnatureofaworkwherethe limits that frame it are mediated by emptiness, distance and silence
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