Anthony's work offers formal and textural qualities that both confound and intrigue, inviting the viewer to upend assumptions, to step closer, and to consider the renderings in new ways. He challenges the conventions of art making in two-dimensional works that appear sculptural, and withhand-rendered forms that may be initially mistaken for photographs or digital manipulation. However, his intent is not to deceive; rather, he welcomes a prolonged contemplation in a time marked by superficial analysis. Once engaged, viewers may sense a contradiction between rough stone and smooth flesh as symbolic of relationships (with the self or with others) or they may prefer a tension between representation and abstraction — one containing both stark, unknowable shapes and the refuge of an imagined landscape.