Born in Horodyshche, Ukraine, in 1967, Nataliya Bagatskaya is a distinguished artist who lives and works in Kyiv. Her artistic journey began with a degree in Clothing Design from the Kyiv University of Technology and Design, a foundation that subtly influences her meticulous approach to art. Bagatskaya is an esteemed member of the National Union of Artists of Ukraine, a testament to her significant contributions to the Ukrainian art scene. Bagatskaya specialises in acrylic painting, masterfully employing traditional oil painting techniques to achieve her desired effects. Her work is characterised by a striking blend of hyperrealism, photorealism, contemporary realism, and metamodernism. Through these styles, she explores a diverse range of subjects, including still life, nature, environmental themes, and human figures, inviting viewers into a world of heightened perception. With a prolific exhibition history, Bagatskaya has participated in over 30 group exhibitions and held 4 solo exhibitions both in Ukraine and internationally. Her art has garnered international recognition, featuring in publications such as 'Kyiv in Art' and the Italian magazine "Hyperrealism." She has also showcased her works at prestigious international exhibitions including Artbox Project Basel, Miami Artbox Project, and Barcelona 2.0. Online, her works have been highlighted in ArtBaazar and included in special projects like "365 Days After" (international), 'Women in Art' and 'Hryvnia Art' (Ukraine). Bagatskaya's artistic legacy is further cemented by the inclusion of her works in the permanent collections of the Museum of Outstanding Figures of Ukrainian Culture in Kyiv and the Korsak Museum of Modern Art in Lutsk. Artist Statement 'For me, life is not about unity through similarity, but about harmony between equals who are different. I combine contrasting elements to create something new. Constantly evolving in my relationship with myself and the world, I strive to remain authentic, to experience true emotions, and to express them honestly. In my works, I do not offer a singular or "correct" viewpoint, as I believe each person must find their own path. No matter how realistic my imagery may appear, it distances itself from literal reality. Within the frame—within the psyche—it becomes a space for viewers to project their own experiences. This creates a sincere response, often with a touch of irony born from the interplay between illusion and reality.' My paintings are reflections of my inner world, from which the viewer may draw their own constructive insights.