Reijnders’ oeuvre emerges from action: the simple act of ripping posters off walls in different cities during the night, which he later uses as the base for his artwork. He processes these thick layers of curled paper by chopping and burning them.His work contains a lot of contrast: the ripped pieces of billboards combined with youthful themes and a smooth, lush finish. Reijnders invites us to “undress our adulthood” and rationale to enjoy the beauty that emerges from his images. By decontextualizing these pieces of reality and adding new urban images, pop culture, and mass consumption items in them.This is how Reijnders sees art as an action more than a narrative. He calls it the magic of the studio: things you can’t predict happen there, it’s just like a laboratory.