Camille Eskell is an interdisciplinary artist whose work explores the intersections of culture, history, and form with a vibrant and thoughtful vision. Exhibiting extensively across the U.S. and internationally—including Mexico and South America—her art is held in numerous public and private collections, such as the Hudson River Museum (NY), Chrysler Museum of Art (VA), Housatonic Museum of Art (CT), and Islip Art Museum (NY). Eskell’s practice has been recognized with prestigious fellowships and awards, including the Artist Fellowship Excellence Award from the Connecticut Office of the Arts, as well as drawing and painting fellowships from the New York Foundation for the Arts and the Connecticut Commission on the Arts. Her work has been featured in major publications such as The New York Times, Art New England, and The Huffington Post, and in online journals including Art Spiel, Posit 19, and Ante Mag. A committed and versatile artist, Eskell engages audiences with both solo and group exhibitions. Highlights include the touring show Tradition Interrupted, which traveled across U.S. museums for four years, and exhibitions such as (Re)Work It! Women Artists on Women’s Labor at the Mattatuck Museum (CT), We Got the Power at CAMP Gallery (FL), and Every Woman Biennial at La Mama Galleria (NYC). In 2025, her work will open the fall season with a solo exhibition at KAPOW Gallery in New York’s Lower East Side and a two-person show at CAMP Gallery in Miami. Based in the greater New York area, Eskell maintains a studio through the Elizabeth Foundation for the Arts Studio Program. Her work captivates for its rigorous craftsmanship, conceptual depth, and the way it engages viewers in a dialogue between tradition and contemporary experience, making it a meaningful and resonant addition.