Through flameworking, I construct sculptural forms and immersive installations that explore the relationship between object, space, and viewer. My work investigates how everyday forms—objects we often overlook—can become sites of reflection, interaction, and narrative. The teapot became central to my practice when I recognized that functional objects, long avoided for fear they might constrain my voice, could instead serve as a potent canvas for experimentation. In their ordinariness, teapots reveal possibilities for play, connection, and storytelling. The mirror teapot embodies this duality: each piece is a distinct individual, yet together they form a network, a micro-community that mirrors the relational dynamics of human experience.These mirrored surfaces do not merely reflect—they activate the space and the viewer. As the observer moves, the work shifts, blurring the line between artwork and audience. The teapots become portals, moments in which reflection, perception, and engagement converge, inviting viewers to participate in creating meaning, ultimately becoming part of the work themselves.