(Born in New York, United States, 2001) is a contemporary Dominican visual artist whose practice spans painting, drawing, and visual research. She has developed her artistic life in Santo Domingo, Dominican Republic, the city where she currently resides and collaborates as both an artist and representative of ASR Galería (Arte San Ramón), actively participating in artistic production and the country’s cultural management. She holds a Bachelor of Fine Arts from the School of Visual Arts (SVA) in New York (2025), where she consolidated a formation focused on contemporary practice and critical thinking. Her academic and professional trajectory has been marked by a constant international pursuit, integrating formative experiences across the United States, the Caribbean, and Europe. In 2022, she completed an internship at Arawak Galleries, where she was introduced to exhibition management processes and deepened her understanding of the value of traditional Caribbean art within the context of contemporary art. In 2024, she completed an intensive course at the University of Nebrija (Madrid), focused on the contemporary art market, under the mentorship of Carlos Urroz, former director of ARCO. That same year, she undertook an intensive drawing and painting program at the Museo del Prado, guided by Ignacio Serrano and Pablo Álvarez. After six years of residence in New York, Armenteros returned to the Dominican Republic with the aim of strengthening her artistic practice and contributing to the Dominican cultural dialogue from a global perspective, establishing connections between the local scene and international art circuits. In 2025, she participated in the group exhibition of emerging artists “Punto Nodal” at ASR Galería, curated by Dr. Paula Gómez Jorge. In 2026, she was part of the collective exhibition “Posesiones Imaginarias,” celebrating the 50th anniversary of ASR Galería, a project by Carlos Estrada with co-curation by Patricia Silverio Guzmán and Paula Gómez Jorge. A significant part of her creative process originates in her sketchbooks, where spontaneous gesture transforms into emotional narrative. Her work proposes a dialogue between the past, memory, and imagination, where surrealism, abstraction, and references to art history intertwine to explore themes such as identity, transformation, and spirituality. In her contemporary paintings and drawings, figures float within cosmic landscapes and star-filled skies—symbolic spaces where the human and the celestial converge. Through her work, Armenteros invites contemplation and stillness, posing open-ended questions about the perception of beauty and the fragility of form. For the artist, beauty is mutable: it transforms according to time, context, and the viewer’s gaze. Ultimately, her work aspires to become a bridge between the personal and the universal, constructing a visual territory where memories, symbols, and emotions are translated into landscapes of wonder and reflection.