PRASANTA SAHU tries to execute things as they appear in reality, and give them a different meaning altogether by juxtaposing images from dissimilar areas. His practice could be viewed as re-constructions and investigation of events. In his ongoing series Sahu examines the ‘unknown multitudes’ that serve the society in many different ways for the fulfilment of basic human needs and daily survival, but themselves are never recognised for their contribution. Sahu’s works intervene into these areas and expose situations and faces which are unrecognised and marginalised yet are important for the fabrication of contemporary society. Sahu’s process starts with photo documentation and interviews which later he reworks in his studio. The intention is not to repeat the reality rather to juxtapose these data in a contextual way; in his works, photographed and scanned images appear alongside re-created situations. Irrespective of the fact that Sahu works in several different medium, investigation into the human condition is the thread of commonality running through his métier.