David Moser’s passion for building has been the hallmark of his life and career. Growing up in a family furniture business, David evolved the company’s design aesthetic from his father Thomas Moser’s Shaker and Arts and Crafts influences. David’s creative spirit and forward-thinking designs have become internationally recognized. Indeed, the company’s designs have been requested by two Popes, Presidential Libraries, and celebrities, and they have been awarded many prestigious design accolades and awards. About his approach, David says, “I am first an artist; I see the potential in all material things and coax form from the innocuous. My skill is that I make rigid materials yield and create fluid forms. This has been the dominant approach I have taken thus far toward furniture design, allowing me to sculpt into wood”. As a Craftsman, David is as gifted in other mediums as he is in wood. “There is great liberation in free-spirited abstract forms,” says David. “As a designer, I am beholden to a great many masters. As an artist, I don’t initially need to serve anyone but myself and only then hope that others share in my delight at what I’ve done.” He has taken island stone and reshaped it abstractly, giving the mundane a new perspective. This innovative approach represents a refreshing look at what native stone sculpture can be. David also works in clay, creating figurative nudes cast in bronze, further illustrating the artist’s depth and breadth of talent. Many designers and artists work within very defined artistic parameters. They have a definitive material, a medium. The opposite is true of Moser. He has a variety of mediums. And while furniture is a tried-and-true passion of his, sculpture in clay and stone allows him the kind of expression furniture can’t provide. “When I’m working with clay,” he says, “there’s such an immediate response—it’s a very spontaneous and willing material. There’s a direct link from mind to hand. When I’m working with wood, on the other hand, there are steps between what’s going through my mind and what comes out of my hands.” Sculpture is more freeing to Moser; pragmatism is not required. Moser also has a passion for learning and a desire to share knowledge. While creating one of his last bronze sculptures, he attached a GoPro to his head and filmed the sculpting and casting process from the maker’s perspective. “Looking into a white-hot crucible of molten bronze is a view not seen by many. Art and its product should not merely be a fait accompli. I like to share the process; it’s a holistic approach for me.”