Anna Mae Tiry's background is in graphic design, and that training shapes everything she makes in glass. She thinks in terms of composition before content — negative space, color blocking, visual rhythm — and glass gives those principles weight and light a page never could. Self-taught in the medium over the past several years, her work builds from simple geometric vocabulary: fractured citrus forms, bands of color that read almost like type-setting, shapes in tension or in motion. A piece might start as a study in movement and cadence, or as a reduction of something familiar — a lemon, a lighthouse, a horizon line — down to its essential shapes and color relationships.